☆ ☆ ½
Trans-Europ
Express (1966) – A. Robbe-Grillet
Perverse, playful, and ultimately rather
boring, Alain Robbe-Grillet’s second film is less interesting than his first
(L’Immortelle) or his script for Resnais’s Last Year at Marienbad. Possibly this is because, its conceit – a
writer, director, and script girl brainstorm a film while riding on the train,
a film that we actually see – feels rather half-assed. Jean-Louis Trintignant gives a winking
performance but Robbe-Grillet’s efforts to confuse the audience seem to have
confused him too. He is a drug courier
between Paris and Antwerp – but who is he working for? More worrisome is the
introduction of S&M content that, although seeming consensual, also feels
misogynistic and accepting of violence toward women. I can’t get down with that and it feels
rather jarring when the rest of the film wants to be light-hearted. The end stare at a naked girl in chains on
stage at a club is symptomatic of this problem – the film stops dead in its
tracks and fortunately ends.
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