☆ ☆
Murder at the Vanities (1934) – M. Leisen
This “pre-Code”
backstage musical from Paramount is pretty ordinary. Not unlike in 42nd Street,
Footlight Parade, and their ilk, the performers are seen onstage and off, and
the plot revolves around maintaining the show despite trouble. This time the trouble is, of course, murder. Victor McLaglen is the homicide detective who
spends more time ogling the chorus girls than solving the crime. Jack Oakie is the stage manager who withholds
evidence in order to keep the show from being shut-down. Everybody else is a red-herring or them who
done it. Unfortunately, the plot is
hum-drum and the musical numbers are sub-Busby (though purposefully racy). Not worth your time.
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