☆ ☆ ☆
Mata
Hari (1931) – G. Fitzmaurice
Pre-code Greta Garbo talkie (that was
edited to remove some of its risqué content sometime later) tells the story of
the famous WWI spy who was also an exotic dancer. Of course, Garbo epitomized exotic glamour at
the time, but she is a bit gayer and more free than her later melancholy and tragic
image might suggest. Still, the story is
tragic in the end, because Mata Hari was ultimately revealed in Paris and died
by the firing squad. Her source of
information, General Shubin of Russia, is played by pre-wheelchair Lionel
Barrymore who gives the role his usual zest, overshadowing nominal leading man
Ramon Novarro (a Russian soldier). It
doesn’t end well for either of them either. George Fitzmaurice’s direction is
unobtrusive and the sets and costumes create the right atmosphere of romantic
intrigue but generally things are a bit static.
The script is surely melodramatic enough, yet Garbo somehow isn’t able
to indulge her torments to the fullest extent.
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