☆ ☆ ☆ ½
John Wick (2014) – C. Stahelski
This film has spawned
a couple of sequels so I thought I would check to see what the fuss was about
(seven years later). First of all, it seems to have helped to foment a
resurgence in the career of Keanu Reeves (surname probably not necessary) – and
he certainly struts his stuff as a true action hero, suggesting his Matrix
moves were no put on. Second, this is ultra-violent stuff, perhaps in the mould
of John Woo’s Hard-Boiled (1992)– yes, that kind of balletic violence – but Keanu’s
Wick is a less charitable killer than Chow Yun-Fat’s Tequila. Wick is a hit-man
after all, coming out of retirement to exact his revenge on the Russian mafia
tsar, son, and minions who have stolen his car and killed his dog. Expect
execution-styled violence, not for the squeamish. Third, the film is stylishly
directed, like a videogame, and has some humorous moments, based on the fact
that Keanu is an unstoppable killing machine (one-man army). So, it’s designed to be a total adrenalin
rush but somehow I can’t divorce the feeling that I am watching people get
killed (even if they are bad amoral people or, in fact, fictional non-entities)
and this results in an ambivalent response. Could this sort of film be bad for
society?
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