Thursday, May 2, 2019

Perfect Blue (1997)


☆ ☆ ☆ ½


Perfect Blue (1997) – S. Kon

Anime noir that tackles some heavy issues:  stardom, voyeurism, and the relationship between the two (star and fan).  Mima Kirigoe is a pop idol and a member of the girl group, Cham, who have a legion of (entirely male) followers.  When she decides to leave the group to become an actress,  one of her stalker-ish fans is not happy and creates a website (using Netscape Navigator) pretending to offer her daily diary (“Mima’s Room”).  This starts to create a breach between the real Mima and the fictional online Mima, at least in Mima’s head.  The TV drama (about a serial killer) that she has a recurring bit part in doesn’t help.  In order to drastically change her image, her agent okays a rape scene in a strip club (which is disturbingly recreated here, alternating between onscreen action and between takes reality – but Mima becomes lost in the mix).  As her career moves further from the innocent pop idol phase (next up, nude photos), Mima experiences more jarring breaks with reality.  She begins to be haunted by a spectral image of her former self – and also by her stalking fan.  Meanwhile, someone is killing the writer, director, and other members of the TV show cast.  Or are they?  It is definitely difficult to discern what is real, what is the TV program, and what is only in Mima’s disoriented consciousness, thanks to the script and Satoshi Kon’s direction.  So, yes, there is more than a little Hitchcock or De Palma here but the freedom of anime allows things to get much weirder than a real staging might allow.  And darker.  Sure, everything appears to be tied up with a bow by the end but the themes linger, echoing throughout our culture, perhaps even more prominently today. What will be done for fame?  And what are its consequences in our online/physical society?

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