☆ ☆ ☆ ½
Morvern
Callar (2002) – L. Ramsay
Lynne Ramsay’s second feature (after
Ratcatcher) stars Samantha Morton as a young woman (Morvern Callar) whose life
is disrupted by the suicide of her boyfriend.
She’s not particularly eloquent and she doesn’t share her thoughts or
feelings with others – she just soldiers on, determined to enjoy herself (or so
it seems). This involves pubs, clubs,
and parties and a trip to Spain with her best friend Lanna (Kathleen
McDermott), with a farewell mixtape from her partner on the soundtrack (Can,
Stereolab, Broadcast, Lee Hazelwood, etc.).
At times things feel a bit druggy.
I suppose some suspense is built because a) she doesn’t tell anyone
about the suicide and sort of covers it up; and b) she submits a novel that she
didn’t write to a publisher. (Is this a betrayal of the boyfriend who betrayed
her?). But suspense is probably besides
the point because actually this is one of those new minimalist films (e.g., Kelly
Reichardt, Harmony Korine, Jim Jarmusch) that observes its characters but
doesn’t care too much about plot. It looks and sounds great though, if you get
on its emotional wavelength (which could be hard given Morvern’s
reticence). I am not sure it all adds up
to much (other than an opaque character study) but I’m also not sure that that
matters. There are other pleasures here.
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