☆ ☆ ☆ ½
Doctor
Zhivago (1965) – D. Lean
Falling back to the theme of “impossible
love” that he examined in Brief Encounter (1945), director David Lean tries to
situate his investigation within the epic drama that was the Russian
Revolution. But in doing so, he doesn’t
quite manage to capture the political or philosophical dynamics at play in the
context; instead, the communists are evil ideologues (or pragmatically
partisan) and the deposed rich are sympathetic victims of the sweeping changes. Omar Sharif’s Zhivago stakes out a detached middle
ground, avoiding involvement – until he can’t.
He feels like the moral center of the film, using his medical skills to
assist wherever he can, especially in contrast to the evil Komarovsky (played
by Rod Steiger) who uses people whenever he can. But then even Zhivago takes a wrong turn,
falling for nurse volunteer Lara (Julie Christie) during a six month stay in an
army hospital despite the fact that he is married (to Tonya played by Geraldine
Chaplin) and has a young son. Lara had
been previously exploited by Komarovsky and then married to revolutionary Pasha
(Tom Courtenay) who is reportedly killed in the war. She also has a child. After everyone is exiled to the Urals, the
impossible love blooms again, for a short while. Zhivago writes poetry about it
(which we never hear). All of this is told years later in flashback by Alec
Guinness’s General Yevgraf (somehow the half-brother of Zhivago). So, should the audience identify with
Zhivago? Or with Lara? Is their love pure? I didn’t see it. But the larger sweep of the staged historical
events (many extras) and Freddie Young’s cinematography (gorgeous mountains)
did capture my attention from time to time; I wanted badly for the style of the
film to counteract the schematic nature of the script, but alas. Yet, there is something about a 197 minute
movie that demands respect and who can deny the film’s popularity at the time (boffo
box office)? It struck a romantic chord as hearts broke when dashing Omar
Sharif and winsome Julie Christie sacrificed their love (but to what end?).
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