☆ ☆ ☆ ½
Age
of Consent (1969) – M. Powell
Director Michael Powell’s final film
follows on the heels of his previous Australian venture (They’re a Weird Mob,
1966) moving from Sydney up to Brisbane and North Queensland. It stars James
Mason (with tenuous accent) as an Australian painter who leaves New York to
return to his roots on a remote tropical island near the Great Barrier
Reef. Although he’s burnt out, the
relaxed environment starts to bring back his creative streak. A cheeky teenager (played by young Helen
Mirren) soon becomes his muse; Mirren spends a lot of the movie in a state of
undress as a result. This is a bit
jarring if you only know her from Prime Suspect and her late career
superstardom (possibly Calendar Girls, 2006, which I haven’t seen, brings
things full circle). Similarly to Weird
Mob, there’s a bit of comic relief here as well, poking fun at Aussie
stereotypes and slang, when Mason’s insufferable friend Nat Kelly (Jack
MacGowran) comes to visit and gets into trouble. But overall the tone is laid back, as if the
gentle rhythm of the waves was setting the pace of the picture. Plenty of shots
of the lush locations and underwater photography of the reef do not disappoint.
Mason ultimately gets his mojo back, although the May-September romance that
eventuates does have an ick factor. The paintings on display don’t strike me as
particularly notable but an early shot of a Sidney Nolan artbook suggests that
Powell does have better taste. It’s a
shame (after his masterworks with Pressburger) that his career ground
completely to a halt after this, due to lack of funding, aged 64.
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