Showing posts with label 1996. Show all posts
Showing posts with label 1996. Show all posts

Saturday, February 15, 2020

Shine (1996)


☆ ☆ ☆ ½


Shine (1996) – S. Hicks

This biopic of pianist David Helfgott was Geoffrey Rush’s breakthrough role (he won the Oscar as well) but he is only really in half the film.  Helfgott’s teenage years and early 20s are played by Noah Taylor (who is also good).  But Rush does have the showier role, portraying Helfgott after his nervous breakdown when he has spent 10 years in a psychiatric hospital and has developed some vocal tics and mannerisms.  To Rush’s credit, he really throws himself into it, including learning as much of the piano parts that he could to serve as his own hand double (the actual playing is offscreen by Helfgott himself).  Armin Mueller-Stahl plays Helfgott’s stern father who pressures his son to become a piano superstar but then restrains him from taking up offers to study overseas. Helfgott eventually defies his father to study at the Royal Academy of Music in London.  But the parental pressure eventually causes Helfgott to crack -- and Taylor gives way to Rush.  The story arc naturally points to redemption, otherwise this would be a depressing tale indeed.  Everyone acquits themselves admirably but the film does wrap up abruptly. Biopics are tough to get right.  Nevertheless, it’s good to see an Aussie story on the big screen.

Friday, January 27, 2017

Police Story 4: First Strike (1996)


☆ ☆ ☆ ½

Police Story 4: First Strike (1996) – S. Tong

I didn’t know there was a fourth installment to Jackie Chan’s Police Story series but First Strike is it (and I watched the full 107 minute version not the heavily cut US release).  Following his usual formula for blockbusters, Jackie travels to several different locations (Ukraine, Australia) and sets the action in some tough to navigate places (ski field, underwater with sharks). As usual, the plot is incidental to the action (a nuclear device has gone missing and Jackie has to get it back, because the Hong Kong police are working with the CIA and the replacement for the KGB, the FSB).  Jackie’s relationships also take a back seat here; even though Uncle Bill is still his boss (in a glorified cameo), sadly May is absent (Maggie Cheung had clearly moved on).  So, the full-on Jackie magic isn’t really present, but not for want of trying -- the major stunts are pretty tremendous (Jackie jumps from snowboard to helicopter and drives a car onto a boat).  However, I _was_ glad to see some hand-to-hand fighting (with a stepladder) to remind me of the old Jackie. And what more can you expect from Chan when he was already in his ‘40s (and still with his American breakthrough yet to come)? But if you are interested in Jackie, Police Story (1985) and Supercop (1992) are the better movies in this series; they are part of the reason Jackie deserves his stardom.