☆ ☆ ☆ ½
The October Man (1947) – R. W. Baker
In this dark British noir, John Mills (not far from
his excellent turn as Pip in David Lean’s Great Expectations) plays Jim Ackland,
an industrial chemist recovering from a terrible road accident in which a young
girl he was babysitting was killed. A
year later, released from the sanatorium, he is wracked with grief (and often
suicidal) but trying hard to make a go of it in a new job while living at a
boarding house/hotel in suburban London. He keeps his distance from the other
tenants but is friendly with his next door neighbour Kay Walsh who turns up
murdered. Suspicion lands on Mills after
other tenants (falsely) claim he spent many nights in Walsh’s apartment – his head
injury and time in the sanatorium are held against him by the police (stigma of
mental illness). With his new girlfriend
Joan Greenwood, he struggles to clear his name while also experience doubt and
depression. A good deal of time is spent
on character development (a good thing, if sombre) before we are whisked into a
more traditional suspense-thriller plot once the real facts of the case are revealed.
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