Thursday, October 3, 2024

Frankenstein Meets The Wolf Man (1943)


 ☆ ☆ ☆

Frankenstein Meets The Wolf Man (1943) – R. W. Neill

Although this is the fourth sequel to Universal’s Frankenstein (1931), it is really just the first sequel to The Wolf Man (1941).  So, it makes sense that Lon Chaney, Jr., has returned as Larry Talbot, except of course that he was killed at the end of the first film by a crack on the head with a silver cane wielded by his father Claude Rains.  No worries, as the writer (Curt Siodmak) has invented some additional werewolf lore that reveals that Talbot can’t actually die (despite spending years asleep in his coffin, until awakened by graverobbers).  Now that Talbot is alive again, and killing people every full moon, he wants nothing more than to really die.  As such, with the assistance of Maleva, the gypsy woman from the first film (again played by Maria Ouspenskaya), they seek out Dr. Frankenstein (who they believe knows the secrets of life and death) in his castle in Vasaria.  Alas, the scientist is already dead but Talbot stumbles upon the Monster (now played by Bela Lugosi) frozen in ice.  When freed, he accompanies Talbot to the castle where, with the help of Talbot’s doctor (Patric Knowles) and Frankenstein’s daughter (Ilona Massey) – stay with me -- they find Frankenstein’s secret diaries.  Following instructions within, they aim to drain the life energies from Talbot and the Monster (by reversing the polarity when attached to those wires, of course).  But things turn pear shaped and soon and as expected the Monster and the Wolf Man are fighting hand-to-hand until the angry villagers blow up the dam and the mighty river washes the castle away with the monsters within – until they are resurrected in House of Frankenstein (1944) where things get even more campy.  The current film plays out with a mostly straight face, highlighted by the spooky mise-en-scene, cinematography, and music of the classic monsters series we loved so well.  

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