☆ ☆ ½
The Ωmega Man (1971) – B. Sagal
If
I wasn’t already familiar with the Vincent Price version of Richard Matheson’s
novella “I am Legend” (entitled The Last Man on Earth, 1964), then perhaps I
would have enjoyed this Charlton Heston version a bit more. There are some
differences in the plotlines with Heston battling a religious cult of albino survivors
of a virus spread by biological warfare and Price dealing with more traditional
zombies (also created by a virus). Perhaps, yes, the middle of a pandemic is
not the right time to watch this – or perhaps it is an especially right
time? Whereas Price had to contend with
family members and former friends turning into zombies, Heston is more of a lone
gun (foreshadowing his NRA affiliation?), a military scientist now on a
vendetta to destroy the mutant cult. Both
are safe during the day (roaming the burnt-out city and “stealing” supplies)
but in danger at night (when their foes wake up and attack). The very Seventies
atmosphere here, including relevant cultural talking points such as an
inter-racial love affair, made me think of TV shows like the Six Million Dollar
Man, Bionic Woman, or similar – the special effects and costumes are, uh, that
good. But at the end of the day, for all its weirdness, the Ωmega Man just isn’t
as good as the similarly low budget (though B&W) earlier film.
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