☆ ☆ ☆ ½
The
Street with No Name (1948) – W. Keighley
One of the subgenre of films noir that
offer up “true stories of the FBI” in a faux documentary style that begins with
voiceover narration and lots of exposition but soon inserts us into the drama
and leaves us there. In this case, we
follow Mark Stevens, playing an undercover cop, who infiltrates a gang led by
ruthless Richard Widmark (in only his second film, but commanding the screen). The suspense is built as the case unfolds
methodically with Inspector Briggs (Lloyd Nolan) and partner Cy Gordon (John
McIntire) keeping tabs on Stevens’ progress trying to gather evidence against
Widmark. Of course, eventually Stevens’
cover is blown and the FBI must scramble to extricate him. We’ve seen this plot again in more recent
years but it is exciting here nevertheless. We are also treated to many of the
common tropes of the film noir (boxing ring, abandoned warehouses, Skid Row, low
key lighting, night shooting, and of course crime and corruption). Unlike some of the darker noirs to come, in
this sub-genre, the G-Men always win (as if you didn’t know). Hoover approved.
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