☆ ☆ ☆ ½
The
Lineup (1958) – D. Siegel
Crisp, police procedural (bringing a
then-current TV show to the screen) from Don Siegel (subsequently Clint
Eastwood’s favourite director). As he
would later do in his remake of The Killers (1964) and Dirty Harry (1971),
Siegel takes a special interest in the psychopathic tendencies of his
characters. Eli Wallach (in his second
film) plays the central baddie who is a contract worker for “The Man” who is
using innocent tourists as mules to bring heroin into the USA. Once they disembark, their luggage is stolen
and the stuff is extracted and given to The Man. Wallach and his partner/mentor, played by
Robert Keith, arrive in San Francisco (where the film was shot on location) to
retrieve the luggage/drugs from three passengers on a docking ship. However, things don’t go too smoothly –
because Wallach’s character is a psychopath.
Because the police have been tipped off, we see them closing in on the
killers as well as what the killers are doing (in parallel). Siegel is far more interested in the killers
and the police procedural scenes play like the rote TV episodes they’re drawn
from – they are kept purposefully brief (and thus taut). So, there’s nothing particularly
extraordinary here but solid crime show fare, with a few nods to past films
noir (murder in a stream room, a person in a wheelchair gets offed, the same
aquarium that Welles shot in The Lady from Shanghai is used). San Francisco does look great.
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