☆ ☆ ☆ ½
Pardon
My Sarong (1942) – E. C. Kenton
Amiable and meandering comedy starring
Abbott and Costello which is just a bunch of bits strung onto a typically ridiculous
plot. The boys are bus drivers who
hijack their own city bus to help out a society bachelor who needs to get from
Chicago to California for a yacht race.
Soon, the law is after them -- in the form of William Demarest (a
Preston Sturges favourite); they duck into a magician’s dressing room to escape
(cue hijinks). We are then treated to a
few musical interludes (including from The Ink Spots) in the club, which was
common in 1940s films of this type and gives them a relaxed feel. Soon, though, Costello drives the bus into
the ocean and the duo winds up on the playboy’s yacht, and subsequently
shipwrecked on a tropical isle. There
they run into beautiful or burly natives, an anthropologist who is really running
a gang of jewel thieves, and some more slapstick and wordplay. Of course, given the vintage, there are some
pretty crude caricatures on display here but fortunately the racism isn’t
mean-spirited (but unfortunately it is still racism) – Lou Costello is
typically the butt of most gags. The
sexism is probably more unabashed and there is a fair amount of leering (1940s
style). But if you feel disposed to look
past these things (which we can hope are moving behind us, at least overtly),
then there are a bunch of chuckles here and everything feels pretty good-natured. One of A & C’s better outings.
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