☆ ☆ ☆ ½
The
White Sheik (1952) – F. Fellini
Fellini’s first film is a comic fantasy
that already shows signs of his penchant for unusual faces and detours from
reality. A newlywed couple travels from
the provinces to Rome for their honeymoon, but unbeknownst to the husband (Leopoldo
Trieste), his young wife (Brunella Bovo) has been writing to the photoplay
magazine star, The White Sheik (played by Alberto Sordi), and immediately
escapes to seek a meeting with her fangirl crush. Of course, he turns out to be much less than
imagined, although she is swept off her feet at first onto a photography set 26
km from Rome from whence it proves difficult to return. At the same time, the husband has to make
excuses to his uncle and aunt and extended family who had planned to take them
to visit the Pope among other destinations. Trieste’s eyes bulge and he sweats
profusely as he struggles to keep this secret under wraps. Giulietta Masina has a cameo as Cabiria, a
sympathetic prostitute (a character she would later play to acclaim in Nights
of Cabiria, 1957). The whole thing is
short and sweet, funny and impossible without Nino Rota’s distinctive score (a
definite preview of his later work with Fellini). A great start to a masterful career.
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