☆ ☆ ☆ ½
The
Sea Inside (2004) – A. Amenábar
Javier Bardem turns in another remarkable
performance as Ramon Sampedro, a paraplegic right-to-die campaigner from
Spain. Acting primarily from the neck up
(in middle-aged make-up), he is charismatic, bitter, and steadfast in his
desire to die. Director Alejandro Amenábar
inserts Ramon into his relationship context: brother and sister-in-law taking
care of him, impressionable nephew, and two potential love interests. There are also flashbacks to his accident
(diving into a shallow tidepool) and fantasy sequences where he is no longer
paralysed (which break the film out of its one-room set and given the
cinematographer a chance to zoom over the beautiful landscape). Of course, all viewers will be waiting for the
inevitable money shot (Sampedro died in 1998).
The arguments about euthanasia seem to take a backseat to the human
drama in the foreground, except for a comical argument between a paraplegic
priest and Sampedro shouted up and down the stairs (due to wheelchair
inaccessibility). I think the film would
have been better as a whole if Amenábar had found a way to get more
philosophical and political substance into it, but there is no denying Bardem.
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