☆ ☆ ☆
Cloak
and Dagger (1946) – F. Lang
Lesser Fritz Lang effort that was
apparently subject to some post-production tampering by Warner Brothers to
remove some pointed anti-nuclear bomb sentiment (presumably since the US had
already dropped the bomb and showed no intention of backing away from holding a
nuclear arsenal). Gary Cooper plays a
nuclear scientist who is recruited by the OSS to go overseas to Europe to
contact other nuclear scientists who have been forced by the Nazis to contribute
to their bomb-making initiative. Things
move reasonably swiftly until the action moves from Switzerland to Italy and
Cooper meets his love interest (Lilli Palmer).
But then everything drags as they wait for offscreen events to
occur. Basically, the Allies hope to
convince an Italian nuclear physicist to escape with them but they need to
first free his daughter who is being held hostage by the Nazis. Why we don’t get to see this action beats me
but instead we hang out with Cooper (who is not the most dynamic of actors at
this stage in his career) and Palmer.
The film wraps up soon after and when I discovered later that a fourth
reel may have been deleted, this made sense.
However, even so, the film doesn’t really seem to link with any of Lang’s
major themes (a pessimistic view of societal forces that entrap the protagonist
– as in the classic films noir that he directed); instead it is a straight
adventure yarn, albeit with some serious consequences.
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