☆ ☆ ☆
El Cuerpo (The Body) (2012) – O.
Paulo
Slick
Spanish thriller that takes the Hitchcockian path of revealing who the killer
is from the start and then creating suspense as the police close in on
him. I can’t remember Hitch using flashbacks
however (except perhaps in Vertigo) but here they add to the tension because we
can see moments when even the victim may have discovered the plot to kill
her. This is a key part of the plot
because, you see, the victim’s body has gone missing and all signs point to the
possibility that she is still alive and leading the police to clues that
identify her “killer” (and, of course, tormenting him psychologically along the
way). The whole film takes place in the
morgue (more or less). Belen Rueda (from The Orphanage, 2007) plays the victim,
a successful but emotionally cruel businesswoman, and Hugo Silva plays her
younger husband with the incentive to kill his wife arising due to her large
fortune and his much younger mistress (Aura Garrido) who wishes to have him all
for herself. Jose Coronado plays the
stereotypic seedy police detective with problems of his own. So, in many respects, El Cuerpo is straight
genre film-making with no aim except to thrill and to entice viewers with a
hard-to-anticipate twist ending. The
cinematic style is noirish (rainy nights, dark medical rooms) but nothing
special. Whether the ending is earned or
not is up to viewers to judge – but, as with many pictures of this type,
thinking back over the film after the ending is known does highlight its
improbabilities. But don’t let that
spoil your fun.
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