☆ ☆ ☆
The
Producers (1968) – M. Brooks
Apparently shocking at the time of its
release but sadly Mel Brooks’ comedy has lost its ability to shock…or perhaps I
am unshockable at present. But with the
magic of the mind, you (or I) can imagine what it must have been like to be
stunned by comedy making fun of Hitler (although Lubitsch’s To Be or Not To Be
(1942) did take a very funny stab at the Nazis concurrently with WWII – later
remade by Brooks himself). The result
isn’t laugh out loud funny, the way that Young Frankenstein or Blazing Saddles
can be, but it has some charm, even if there are some dated jokes and sexism. I watched this (for the first time) to
commemorate Gene Wilder’s death – I salute him – he has a way with gestures and
underplaying the comedy that contrasts well with Zero Mostel’s brasher moves. They play the titular producers who determine
that securing one million dollars in investments for a cheap Broadway play
destined to flop on the first night will leave them sitting pretty and flying
down to Rio. Choosing “Springtime for
Hitler” seems to be the perfect choice (acknowledged to be in bad taste) but
alas the comedy plays well for the masses – and so much so that Brooks was able
to create a Broadway show and then a movie remake in recent years. There’s enough here to enjoy but I confess to
being underwhelmed compared to my expectations.
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