☆ ☆ ☆ ½
This
Land is Mine (1943) – J. Renoir
I still find it astonishing to watch the
impassioned films of the early 1940s that offer sermons admonishing people to
fight the Nazis and to defend freedom.
Having escaped from France himself, Jean Renoir (like so many other
European émigré directors) was personally invested in this message. This Land is Mine vividly and theatrically
tells the story of an unknown country under German occupation and the choices
people make to resist or not to resist.
Charles Laughton, a school-teacher, is too meek to know what to do, but
he is influenced by his colleague, Maureen O’Hara, her brother Kent Smith, and
the principal of the school (Philip Merivale) to know what is right. They are
opposed by Walter Slezak, the charismatic German major, and George Sanders, the
self-loathing collaborator. As events
play out and members of the resistance are caught and shot, Laughton becomes
galvanized. And then it happens, the
movie stops dead and allows Laughton to speak at length against occupations
both general and specific (in words written by screenwriter Dudley Nichols, who
wrote many Hollywood hits). This is
pretty rousing stuff and you don’t hear it every day. Perhaps we should. Of course, this break from the film (and
from Laughton’s character) does disrupt the original story – but for this
decision, I’m giving it an even higher rating than if it stayed small and kept
its social influence strategy implicit.
No comments:
Post a Comment