Showing posts with label 1993. Show all posts
Showing posts with label 1993. Show all posts

Sunday, May 31, 2026

Groundhog Day (1993)


 ☆ ☆ ☆ ½

Groundhog Day (1993) – H. Ramis

I suspect it has been 30 years since I saw Groundhog Day, which does cast a different light on its take home message (that we need to live each day as if it is the only one we get – or possibly to use each day productively so they add up to a more meaningful life).  Have I achieved this? (Does anyone ever feel they have?). The plot famously involves arrogant weatherman Phil Connors (Bill Murray) getting stuck in a time-loop where he has to re-live the same day over and over and over again; that day is Groundhog Day (2 February – also my wife’s birthday) with its portentous omen about the future being wintry or nice depending on whether the rodent sees his shadow. The film takes place in Punxsutawney, PA (NE of Pittsburgh), a small town, presented as they were in the early ‘90s.  As directed by Harold Ramis (who takes a brief cameo), it is pretty mundane, even cheesily cringeworthy. Phil is above it all, but his new producer Rita (Andie MacDowall) is on a different wavelength, open to finding positivity in everything.  Cameraman Larry (Chris Elliott) is around to provide Phil-deflating comments.  So, what would you do if each day was just a repeat of the previous day with every moment fully predictable? The screenplay (by Ramis and Danny Rubin) intelligently conjectures what the average person might do: freak out, then take advantage of the lack of consequences for one’s actions, then fall into despair, then try to use time more wisely (to learn skills and stuff).  Phil decides to pursue Rita who he comes to know in depth (even if, for her, it is still just one day), with expected results, given she thinks he is an arrogant jerk. But eventually, he grows as a person, becoming his better self.  This helps him with Rita.  Amon (aged 13) felt the film was corny.  I liked the “high concept” but it feels dated, sentimental, with little edge (and not really too many laughs).  That said, it is probably a good thing to take a moment to reflect on a more existential way of being. In this way, the film “works”.

Wednesday, November 10, 2021

Red Rock West (1993)


 ☆ ☆ ☆ ½

Red Rock West (1993) – J. Dahl

Nicolas Cage is particularly subdued as a drifter with integrity who finds himself mistaken for a hitman (“Lyle from Dallas”) when he pulls into the small Wyoming town of Red Rock. His integrity doesn’t stop him from taking the 5 Gs from Wayne (J. T. Walsh) but instead of killing his wife (Lara Flynn Boyle), he warns her. His integrity also doesn’t stop him from taking another 5 grand from her to kill Wayne, but he leaves town instead. Of course, he doesn’t get far and this dryly humorous neo-noir proceeds to subject him to a number of unexpected twists in the plot from which he can’t seem to extricate himself because he is such a nice guy. Naturally, Lyle from Dallas soon appears in the guise of Dennis Hopper in full-on Blue Velvet mode and he makes short shrift of everything. As directed by John Dahl, there are echoes here of the Coens’ Blood Simple (not David Lynch, despite the cast) and a twangy instrumental score that tilts things toward the Western. It’s solid genre film-making and worth the price of admission.