☆ ☆ ☆
Thirst (1949) – I. Bergman
Returning to Criterion’s
massive Ingmar Bergman boxset after a bit of a hiatus, this is the 34th
(out of 41 or so) film in the boxset but only the 7th in Bergman’s
career. Critics suggest that this is the first film where Bergman’s
longstanding themes and directorial style start to emerge and, yes, it is a
film about people experiencing relationship problems. Although not scripted by
Bergman (instead it was written by Herbert Grevenius, adapting short stories by
Birgit Tengroth who herself plays a supporting role in the film), it feels like
it could have been, as it charts the relationship dissatisfaction felt by a
young woman played by Eva Henning, both in a past affair with a married
military officer (Bengt Eklund) and in her marriage to Bertil (Birger Malmsten). After these two episodes, the film diverts to
the experiences of Bertil’s former girlfriend (played by Tengroth) who is pursued
by both her doctor and by a lesbian former ballet school classmate. Add an unfortunate abortion to the plot and
this must have been quite controversial for 1949 -- but Bergman was just
getting started. Overall, not without interest, but you’d be silly to start
here if you want to explore the great Swedish master’s works.

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