☆ ☆ ☆ ½
The Sea Beast (2022) – C. Williams
Nominated for the Best Animated Feature Film for the
next Oscars (2022 films), The Sea Beast begins as a straightforward seafaring
tale, following a ship commissioned to kill sea beasts for the King and Queen.
Jared Harris voices Captain Crow, the single-minded eye-patched leader whose
exploits have already made it into storybooks. His number one sea-monster-hunter
is Jacob Holland (voiced by Kiwi Karl Urban) who was rescued from the sea as an
orphan. Stowing away on the ship is Maisie (Zaris Angel-Hator), a much younger
orphan who proves to be the moral conscience of the film (because kids’ films
always have a moral). After a more realistic first half, the film shifts gears
(and style) when Jacob and Maisie are swallowed by the fearsome Red Bluster, an
enormous magenta sea beast. They wind up back on the monster’s home island and
learn that history is written by the victors and/or you can’t always believe
what you read. At the same time, Captain Crow seeks vengeance against the Red
Bluster and is ready to use evil means to get it. Although I felt the film
sagged a bit during its sentimental middle part, it held my interest as a
result of its stellar animation (they’ve really improved with hair and the ocean)
and direction (by Chris Williams who previously directed Moana, 2016, among
other films). A bizarre nod to Ridley Scott’s Alien (1979) reminds us that the
sci-fi film’s family tree begins with nautical tales.
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