☆ ☆ ☆ ½
The Lord of the Rings: The Rings of Power (2022) – P. McKay & J. D. Payne
The pull of J. R. R. Tolkien’s fantasy universe is
strong and so, when we accidentally signed up for a free trial of Amazon Prime,
the kids urged me to let them watch the new series based on the old books.
Having read and loved the books as a child (and enjoyed the spectacle of the
movies), I acquiesced. Across eight episodes, this first series (of a promised
five) weaves together numerous plot strands to begin telling the story of how
the One Ring (that Bilbo found and Frodo destroyed) and its (eventually) subsidiary
rings (3 for the elves, 7 for the dwarves, 9 for the humans) were forged in the
Second Age of Middle Earth (thousands of years before The Hobbit). Galadriel (later
Cate Blanchett, now Morfydd Clark) is part of this story, although we first
meet her during a quest to find out if and where the vanquished evil minions of
defeated Morgoth, including right-hand man Sauron, have fled… if they have
survived at all. But of course, they
have and soon orcs are pillaging in the human-controlled territory of the
Southlands (in which we meet a number of characters, both human and elf). Will
they receive assistance? Perhaps the other human colony on the island of
Numenor can be called on for help? We follow a number of other players there,
especially after Galadriel finds her way there alongside the lost king of the
Southlands, Halbrand (Charlie Vickers). Elsewhere, high elf Elrond (later Hugo Weaving,
now Robert Aramayo) negotiates with Prince Durin IV (Owain Arthur) of the
dwarves to secure the necessary force to build the forge and metal (mithril) to
make the rings. Finally, we do see hobbits, er, harfoots, a migratory
subspecies who stumble upon a giant who appears to have fallen from the sky
inside a meteorite. I may have forgotten a subplot or two (and the many
different human characters did become a bit of a blur when I was too distracted)
but I think we’ve caught the main thrust of the story so far. Given that this
is projected to be the most expensive TV series ever made (thanks to Jeff Bezos’s
deep pockets), it does look impressive (with more real special effects than
CGI, I’m told). But is the pull of J. R. R. Tolkien strong enough to get us to
sign up for Amazon Prime to watch any future series? A shock twist at the end
of series one has already encouraged my son to ask how much a single month of
Prime might cost…
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