☆ ☆ ☆
Son of the South (2020) – B. A. Brown
An important film,
in that any film about the Civil Rights era and the courage of those who stood
up for social justice is important, providing a valuable reminder and lesson
for people today. However, I do wonder whether this message still needs to be
carried via a white protagonist – shouldn’t a film about the black struggle for
respect feature black actors in the central roles? That said, this is a story
drawn from Bob Zellner’s autobiography and is specifically about his experience
as a white southerner from Alabama who became an important ally for the cause,
as a founding member of SNCC (the Student Nonviolent Coordinating Committee). And
to the extent that white audiences still require a white identification figure,
perhaps Bob (Lucas Till) can still help draw in some who wouldn’t otherwise
watch a black film (I suspect though that those resistant to this message won’t
be watching anyway). Brian Dennehy adds his star power (in one of his final
roles) as Bob’s grandfather, a member of the KKK. Potentially true to reality, Bob is portrayed
as naïve but earnest, an observer of the bus boycott, freedom ride, and other key
events that are really organised by Rosa Parks (Sharonne Lanier), John Lewis
(Dexter Darden) and other black leaders played by Lex Scott Davis, Cedric the
Entertainer, Chaka Forman, and Shamier Anderson. Much of the movie was filmed
in Montgomery, Alabama, and notably my uncle Timothy Lennox has a small
speaking part as a reporter interviewing freedom ride participants. The film is
very watchable but I felt it had one false note near the end, when Bob wins
another moral victory against a racist acquaintance from college (who I thought
folded far too easily when challenged). Definitely worth seeing for its spotlight
on this crucial period in American history (and lessons that sadly seem
relevant even today).
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