☆ ☆ ☆
One Hour With You (1932) – E. Lubitsch/G. Cukor
The innuendo is
barely innuendo here in this pre-code musical starring Maurice Chevalier and
Jeannette MacDonald. That’s probably not surprising, given that Ernst Lubitsch
is in the director’s chair (although perhaps his famed touch is more subtle
later on, once the Hays Code was in place).
Yes, Chevalier and MacDonald sing, although not straight through the
film (although the spoken dialogue often comes out in rhyming couplets nevertheless). They’re married and he’s a doctor who is
tempted by his wife’s best friend (Genevieve Tobin) – he plays the innocent,
declaring to the camera (in that cheesy French accent) that he did not really
have free will. Of course, MacDonald
also has a suitor (Charlie Ruggles) which allows things to end up just so. They really do love each other after
all. I recall liking Mamoulian’s Love Me
Tonight (same year, similar cast) a little more but this certainly isn’t out-of-place
in any list of naughty musical comedies.
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