☆ ☆ ☆ ½
Shattered Glass (2003) – B. Ray
Based on the true
story of discredited journalist Stephen Glass who fabricated stories for The
New Republic in the 1990s. Hayden
Christensen plays Glass as a needy character, clearly seeking attention and
approval, but somehow also cocky and manipulative. He has clearly endeared some of his officemates
to him (Chloe Sevigny, Melanie Lynskey) and that may have helped him to pass
various stages in the editorial process (fact-checking, in particular) with
less scrutiny than needed. His editors,
Hank Azaria and then Peter Sarsgaard, are more suspicious but the
house-of-cards does not come tumbling down until a reporter at an online
magazine (Steve Zahn) stumbles onto the fraud. As directed by screenwriter
Billy Ray, it feels like a thriller at times, as the clues and lame defences
start turning up. Perhaps it also wants to be a character study but we never
really get any insight into Glass’s motives, although perhaps they are pretty
transparent. I’m reminded of a similar
case in my own area, where a Dutch social psychologist, Diederik Stapel, admitted
to having faked dozens of research studies, published in the top journals,
after having been caught by other researchers who found his data analyses too
good to be true (but only after they had passed muster through the peer review
process and with unwitting or negligent consent of famous co-authors and grad
students). In his memoirs (yes,
really!), he claimed that he could not resist the adulation that came with
success and claimed to be sorry. At the time, pundits suggested that our
publish-or-perish culture invites such desperate acts – but not much has
changed in the intervening years. There are lessons for us all in these
morality plays.
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