☆ ☆ ☆ ½
I See a Dark Stranger (1946) – F. Maunder
Deborah Kerr is a lot perkier than I remember
her being in other pictures (and just a year before Black Narcissus and her
turn as an uptight nun). But what’s this? She’s an Irish lass who has heard so
many stories of the revolution that she hates the Brits enough to help some
Nazi spies? This weird premise pulls viewers in funny directions – do we want
her caught or not? Trevor Howard falls
in love with her, but he’s a British officer and sworn to turn in any spies he
finds. The action moves from Ballygarry to Dublin to the Isle of Man and
somehow becomes a very Hitchcockian thriller.
Apparently, Basil Radford and Naunton Wayne were set to reprise their comic
characters from The Lady Vanishes but had too many demands and were replaced by
substitutes (the cops on the Isle of Man, obviously). In fact, the movie is
written by Frank Launder and Sidney Gilliat who wrote that Hitchcock picture
(Launder directs here). Some classify this as noir and it is about serious
matters – the D-Day plans are the MacGuffin! But it’s a lot more fun than that
suggests.
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