☆ ☆ ☆ ½
The
Long Memory (1953) – R. Hamer
John Mills is convicted of murder and
locked away for 12 years, based on perjurious testimony by his girlfriend of
the time, her father, and an ex-boxer hoodlum.
They testified that he killed a man aboard a ship that caught on fire
when in fact the dead body found was of another man, wanted by the law and
fleeing with the (paid) assistance of the girl and her father. Upon his release from prison, Mills seeks
revenge. The movie tells the story of
his attempt to find and exact his revenge on the three who wronged him. Mills is grim and not dissuaded by others who
counsel him that revenge is not good for the soul (including a Norwegian
immigrant girl who falls in love with him and moves into his shack by the sea). In an interesting turn of events, the police
inspector (John McCallum) charged with investigating Mills’ actions is now married
to the girl who lied (Elizabeth Sellars) leading to some serious conflicts of interest
and bouts of conscience. There are a few
twists and turns that make this a gripping tale and director Robert Hamer even
includes cross-cutting at the finale. He’s
best known for his Ealing comedy, Kind Hearts and Coronets (1949) but this is
definitely in a different vein. Here, the
gritty streets of London, the lonely slum by the sea, and the desperate local
pub sit side-by-side with the suburban home of the inspector and his wife. Yet,
just as with Mills before, their comfortable lives prove to be precariously
jeopardized by a lie. Worth a look for
Brit noir fans.
No comments:
Post a Comment