☆ ☆ ☆ ½
As
Tears Go By (1988) – K.-W. Wong
Wong Kar-Wai’s debut feature takes place
in the well-known world of the Hong Kong triads (well known to those who
enjoyed John Woo’s A Better Tomorrow, 1986, and scores of other similar HK
gangster films). So, the plot is largely
familiar: Big Brother Wah (Andy Lau) has
trouble keeping his impulsive Little Brother Fly (Jacky Cheung) under control
and they have conflict with Tony (Alex Man) a rival gang leader; meanwhile Wah
is falling in love with his cousin Ngor (Maggie Cheung) but knows that he is
wrong for her. It all ends up in
tears. What is different here is Wong’s
stylistic choices and chances (although John Woo was also no schlub in this
department). Not only does he throw in
some unique shots (as many directors could or would) but he dares to film an
entire fight scene in some sort of slo-mo rotoscoping. Moreover, the use of colour (filters as well
as art direction) is splendid and adds to the mood (as befits the director of
In the Mood for Love, 2000). Although
Maggie Cheung has little to do, apparently this was her breakout dramatic role
(after starring in lighter comedic roles, such as Jackie Chan’s Police Story
films). But in the end, this has got to
be one for fans of the genre (and the macho ultra-violence it entails), as Wong’s
style is laid on top of the plot (livening it up) rather than integrated well
with it (as he was later to achieve, though still favouring style over
substance).
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