☆ ☆ ½
The
Fourth Protocol (1987) – J. Mackenzie
A good spy thriller can really hit the
spot – but unfortunately, The Fourth Protocol, is really a by-the-numbers
exercise in generic clichés that even Michael Caine can’t salvage. Not that a straight genre film can’t be fully
enjoyable – they can be totally and explicitly formulaic and still great;
however, this film is really just going through the motions. Apparently, author Frederick Forsyth and
Caine were friends and dreamed up the idea of producing this version of his fifth
spy novel (after successful films, without Caine, were made of his earlier
books: The Day of the Jackal (1973), The
Odessa File (1974), and The Dogs of War (1980)). I thought director John Mackenzie would be an
added bonus, because his The Long Good Friday (1980) is so great (but alas, he
never seemed to have directed anything else that good). Michael Caine is a British spy who is on the
outs politically with his “acting” superior when he cottons on to a plan to
smuggle an atomic bomb into the UK to blow up an American Air Force Base. Pierce Brosnan plays the undercover Russian
spy doing the dirty deed. Of course, there
is the usual political subterfuge going on in the background, which pulls the
rug out from under the audience (sort of).
However, all of this was done so much better in the awesome miniseries (adapted
from John Le Carré), Tinker Tailor Soldier Spy (1979), starring Alec Guinness,
and its sequel, Smiley’s People (1982).
Start there first and skip this one.
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