☆ ☆ ☆
River
of No Return (1954) – O. Preminger
I was curious about the combination of Robert
Mitchum and Marilyn Monroe with director Otto Preminger and in a western to
boot. It holds together okay but it does
threaten to fall apart at the seams on a number of occasions. Apparently no one
got along on the set (including Monroe’s acting coach) and the stars both
exhibited their usual bad behaviour.
This doesn’t really show on the screen but it is a somewhat odd mix of
Mitchum’s sullen bravura, Monroe’s breathy naiveté (with songs), a child actor
(Tommy Rettig), angry Native Americans, and some too obvious back projection. The plot sees Mitchum (just out of jail) as a
single dad who has just reconnected with his 9-year-old son, ready to do some
homesteading out west where most others are prospecting for gold (parts of the
film were shot on location in Jasper National Park, Alberta, Canada). Monroe is a saloon singer who is hooked up
with a shady gambler (Rory Calhoun) who has won rights to a claim down river – he steals Mitchum’s gun and horse, leaves
Monroe (for the moment, or so he says), and heads off. When the Native Americans attack and burn his
house, Mitchum has to guide a raft down the rapids (with Monroe and Rettig) to
catch up with Calhoun. It’s
dangerous! Preminger may have been more
comfortable with film noir (where he had used Mitchum more successfully in
Angel Face, 1953) and Monroe seems out of her element but the end result is
passable and probably a good example of the 1950s star vehicle.
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