☆ ☆ ☆ ½
Somewhere
in the Night (1946) – J. L. Mankiewicz
One of the better early noirs, with John
Hodiak playing an amnesiac World War II vet who doesn’t reveal his condition
after finding a note that suggests that he wasn’t such a nice guy. So, he
struggles to piece together the puzzle of his life, starting with his last
known address in Los Angeles. A few
clues lead him to a bank where a mysterious “Larry Cravat” has deposited $5000
into an account for him. Although Hodiak
(playing “George Taylor”) flees when the bank staff become too curious, this
event starts him on a search for Larry Cravat that takes up the rest of the
film. Along the way, he gets himself
into trouble for being too nosey, gets help from a local club owner (Richard
Conte) who knows a friendly police detective (Lloyd Nolan) and falls in with a
torch singer from the club (Nancy Guild).
Director Joseph L. Mankiewicz (in only his second outing) manages to
visit many of the noir settings (mental hospital, wharf at night, fortune
teller’s, Turkish bath, nightclub) and keeps the audience as confused as
Taylor, with an assortment of interested parties (femme fatale/tramp,
thug/mobster, infirm eyewitness) also pursuing Cravat (and/or the
MacGuffin). Although things wrap up
rather conventionally, there is enough real desperation and dread here to sink
your teeth into (even if Hodiak underplays everything). Recommended.
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