☆ ☆ ☆ ½
Captain
Fantastic (2016) – M. Ross
The temptation to drop out of society runs
strong in the US (see also Sean Penn’s excellent Into the Wild, 2007) – and who
could blame ‘em? Here we find Viggo Mortensen raising his six children in the
woods of the Pacific Northwest and who wouldn’t cheer his efforts to strengthen
their bodies and minds while avoiding the contamination of capitalism, organized
religion, and junk food? The film isn’t called “Captain Fantastic” for nothing! But Matt Ross’s script (he also directed)
gradually forces viewers to confront the possibility that this Super-Dad is
actually doing his kids harm by keeping them away from the social world they
will eventually have to live in (and exposing them to the truth of adult
concepts too soon). But I’m not so sure –
is it either or? Do we have to endorse the
version of reality put forth by Frank Langella (capitalist Christian Grandpa)
if we accept the premise that Chomsky-loving Viggo might be over-the-top? Isn’t there a happy medium? (The film seems
to conclude that there is – but this outcome seems as much a fantasy – or cop
out -- as the extreme outdoors approach taken earlier; how exactly are they
supporting themselves?). Viggo did have
a raison d’etre of sorts – his wife had bipolar disorder and he thought living
in the woods would help her (but it did not).
The six child actors acquit themselves admirably and almost without any
cringeworthy moments (save only for their rendition of Sweet Child O’ Mine at
the “funeral”, now a cliché, but one that did remind me of a long-departed dear
friend). The film itself is fun and, although balanced precariously on just
some exaggerated representations of deeper worldviews, it does succeed as a
more thought-provoking version of the usual Hollywood entertainment. I just wish that Matt Ross would have seen
fit to show Viggo (or his kids) having an influence on the larger society (or
at least Langella) rather than simply depicting their assimilation – but I
guess that would be truly fantastical.
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