☆ ☆ ☆ ½
Mrs.
Miniver (1942) – W. Wyler
Melodrama-cum-propaganda piece created by
Hollywood but purporting to show the British coping with the onset of World War
II. Wyler was already a masterful director
(The Letter, Wuthering Heights, and Jezebel were under his belt with The Best
Years of Our Lives, Roman Holiday, and more yet to come). He controls the
action well and allows Greer Garson to take an affectionate star turn as the
title character, a mum coping with a war that sees her son off to the RAF and
her husband (Walter Pidgeon) contributing as a civilian at Dunkirk (not to
mention her house and community bombed).
However, this is a fantasyland England where everyone bonds together and
gets on with it; Garson’s family is significantly well off (with a maid) –
moreover, they simply shrug off the hardships (less “stiff upper lip” and more impossible
cheerfulness) until they really can’t.
But as I said this is melodrama and the major subplots involve a romance
between the Minivers’ son Vin (Richard Ney) and the granddaughter (Teresa
Wright) of the local aristocrat (played curmudgeonly by Dame May Whitty) as
well as a flower competition that sees humble Henry Travers taking on
Whitty. Still, there were some
tear-jerking moments and the rousing rallying cry, though undercut by the
failure to depict the brutality of war in real terms, still comes through. This won six Oscars (including for Garson,
Wright, Wyler, and best picture) after being nominated for 12.
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