☆ ☆ ☆ ½
Never
Give a Sucker an Even Break (1941) – E. Cline
Is it funny? Or is it just bizarre? Or is it funny because it is just plain
bizarre? If you walked into this film
without knowing anything about W. C. Fields, how would you make sense of
it? Here we find Fields on the “Esoteric
Films” lot, playing himself and pitching his next film project to a producer
(played by Franklin Pangborn, also playing a version of himself). So, we see what Fields does in Hollywood
(e.g., he stands under a billboard for “The Bank Dick” trying to attract
compliments, he eats at a greasy spoon) and we get to see a re-enactment of the
script that he describes (which finds him chaperoning his niece, Gloria Jean,
to Mexico but falling out of a plane and landing on top of a mountain owned by
Margaret Dumont). There isn’t really a
plot to speak of but instead a series of set-ups that allows Fields to mumble
his usual snide asides under his breath, to sneak a few drinks, to try to achieve
maximum advantage for himself with minimum effort, to drive like a maniac, and
so on. In other words, this is the same
Fields that audiences had grown to know and love. Pure ridiculousness and with some very odd
musical numbers (by young teen Gloria Jean) thrown in. In some ways, the film is all reaction shots –
odd things happen and everyone reacts - -with the chief one being the final
word from Gloria: “My Uncle Bill….But I Still Love Him!” This turned out to be Fields’ final picture
as a star and despite his cantankerous, subversive, persona (or because of it),
he remains one.
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